The Glass Books of the Dream Eaters

Cover art

The Glass Books of the Dream Eaters

Author: Gordon Dahlquist

Pages: 768 (hardcover)

I’ve been meaning to review this for a long time - and having just finished its sequel, The Dark Volume, it seems like as good a time as any to finally get around to it.

Some interesting financial data, to begin with: according to this (and various other stories I’ve read) the author was paid $2 million for the two-book deal. The initial print run was 120,000 books, of which 22,000 sold. Publisher’s Weekly reported that the first printing was actually less than that - they went back to press for more copies even before the on-sale date due to positive response from booksellers.

Honestly, I wasn’t quite sure what to think of the book the first time I read it. The story of it sounded immensely interesting but it was more unrelenting than any other book I’d read; the action literally did not stop and there weren’t really any breaks in between, even - many books will give you a trivial scene or a few pages of narrative summary so the reader can “breathe.” The Glass Books of the Dream Eaters takes place over a period of I think three days, despite its considerable length, and I definitely did not feel like I was allowed to “breathe” at any point.

But the unique style grew on me as I read it, and particularly after I’d finished it. It may have been an epic failure financially but the editors who acquired it must have seen something they liked and I’m inclinced to agree with them.

The story begins with Miss Temple, as she recieves a letter from her fiancee breaking off their engagement. Unable to accept it without discovering the reason, she sets off to get to the bottom of the business - but she soon gets entangled in the rather intricate plots that revolve around the blue glass tomes from which book gets its title.

Cardinal Chang and Doctor Svenson each get roughly a third of the book devoted to them, too - the storyline alternates between the three, devoting a fairly large section to each before ending it with an annoyingly tantalizing cliffhanger and switching to the next character. It ends up being a significant number of pages before you get back to resolve the cliffhanger - by which time you’re usually concerned with the other two cliffhangers you’ve just been fed and have nearly put the first one out of your mind.

There’s one other thing I should mention. There’s a rare break from the action when Miss Temple has tea and it is the most spectacular tea-drinking scene I’ve ever read. It spans two and a half pages and would very likely be enough to make me like the book all on its own.

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Damn

I just wrote a post about my annoyance over George R. R. Martin collaborating with another author on A Dance with Dragons, before realizing that it’s very probably an April Fool’s joke.

Let’s forget that ever happened, okay?

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Wordpress updated

I’ve been running on 2.5 for a while, but things are all updated to 2.7 now!

I had to put up a new style which I’m probably going to customize when I have time - although I actually do like the way it looks now.

Also, most of the images in posts were deleted, due mostly to my stupidity. I’m going to have to go re-upload them individually and it might take me a while to get them all done.

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Writing Advice from Fantasy Authors

I searched the interviews of twelve successful fantasy authors to find their advice for aspiring authors, which I’ve compiled in this entry. Read More »

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Silent in the Grave

Silent in the Grave coverAuthor: Deanna Raybourn
ISBN: 978-0778324102
Pages (hardcover): 512

A Victorian mystery set in London. The book opens with the death of protagonist Lady Julia Grey’s husband, though the majority of the action comes a year later when she realizes that he may have been murdered: she begins to investigate the matter with the help of possible Love Interest and detective Nicholas Brisbane, who has a number of secrets of his own.

Silent in the Grave is very well-written overall, and surprisingly entertaining; up until the last hundred pages I was all prepared to go write a glowing five-star review. But it fails to live up to the expectations set by the beginning of the novel - and, honestly, by the jacket text. A blurb by Karen Harper says it has “one of the most clever endings I’ve seen” (yes, most clever, not cleverest) while Valerie Anand praises “some lovey twists in the plot and a most satisfactory surprise ending.”

That - combined with the quality of the beginning and middle part - led me to expect something truly amazing, which it wasn’t at all. It was more or less an average mystery plot. It was clever, in a way, but also sort of unlikely. The final couple pages in which Julia doesn’t expect to see Nicholas again were particularly annoying, because it was so blatantly obvious that she would in fact do so before the end of the book - it felt like I’d read the same ending dozens of times before.

Still, I don’t want to let my disappointment over “the novel that could have been” make this sound like an awful book. It really isn’t, at all, and I’m looking forward to reading Silent in the Sanctuary, the next volume in the series.

See Also:

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Away for a month

This is just to let Novelish readers know that I won’t have access to a computer for the next month or so. I’ll resume posting as soon as I get back.

I know I haven’t been particularly good with doing regular updates lately, but one thing I have been doing a lot is visiting Goodreads - a sort of additive site where you can catalog your books in various shelves. For example, if anyone’s interested, mine are read, currently-reading, to-read, i-own-this, made-me-cry, read-more-than-once, and to-reread. My main profile is here.

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The Cry of the Icemark

Author: Stuart Hill
ISBN: 0-439-68626-1
Words: 136,500

Basically, in The Cry of the Icemark the thirteen-year-old princess Thirrin Freer Strong-in-the-Arm Lindenshield has to fight back the forces of the Polypontian Empire to defend her home. And there are a lot of different battles to be fought and potential allies to be courted, such as werewolves, the vampire king, some giant leopards, the Holly King and the Oak King.

The publisher of this book writes in the introduction, “When I got the manuscript I knew it was the best ‘movie’ I had ever read!” And that’s kind of an interesting way to look of it, because when I read it back in 2005, it seemed, in a way, like some other form of media in disguise. Although my initial feeling was to compare it to a game (like, Blizzard’s Warcraft universe or something).

I think that having a fierce young princess for a main character has been done too much, and unless you can do it better than others have, it’s usually a bad idea. And there’s so much action and so many action scenes that it starts to seem a bit repetitive after a while. But - I don’t know, there are a hundred things I could say are wrong with it, but I did have fun reading it and it’s at least written a lot better than Eragon. I particularly liked the world that the book was set in; it wasn’t really different from your traditional fantasy setting in any perceivable way, but it was done well.

And, okay, I really like description of settings and there was plenty of that here. It’s actually sort of overwritten and pretentious in places (like, “The air was freezing cold, and tiny particles of ice drifted and shimmered in the brilliant sunlight so that they seemed to be journeying through a world of polished crystal.”) but… I still like it.

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Eclipse

Eclipse cover Author: Stephenie Meyer
ISBN: 978-0316160209
Pages (hardcover): 640

Breaking Dawn is due out on August 2nd, so it’s time to finish up my reviews of the series so far.

Let’s see. What I said about the writing style in my Twilight review is certainly true here as well. It did seem like there is a slightly increased usage of ‘Said,’ so perhaps the author is learning? Slowly. I may be imagining things.

Eclipse is more or less in keeping with the rest of the series, but I think I’m starting to get tired of the forumla of the books - even more than I already was, that is - and I hated it slightly more than the other two. One of the major themes is the conflict between vampire-Edward and werewolf-Jacob, but I didn’t like either of them and I couldn’t bring myself to care about the final resolution, which was kind of meant to be sad.

It’s been a while since I read the book, though, so I’m just going by memory.

Related Novelish entries:

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